Showing 347 items matching eltham - maps
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Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 15.22. Eltham North. Allendale Road, 1979_08
... eltham - maps... map] 15.22. Eltham North, Allendale Road. Parish of Nillumbik.... Eltham North. Allendale Road. MMBW Map in 1:2500 [scale] series ...Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 15.22. Eltham North, Allendale Road. Parish of Nillumbik. Municipalities of Eltham 238 and Diamond Valley 257. Prominent streets include: Allendale Road, Godber Road and Ryans Road. Features include the Diamond Creek.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, nillumbik, eltham - maps -
Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 15.20. Eltham, 1977_08
... eltham - maps... map] 15.20. Eltham. Municipalities of Diamond Valley 257.... Eltham. MMBW Map in 1:2500 [scale] series. Cream parchment ...Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 15.20. Eltham. Municipalities of Diamond Valley 257 and Eltham 238. Prominent streets include: Main Road, Henry Street and Livingstone. Features include the Eltham Station, Catholic Ladies' College, Judge Book Memorial Village and Eltham Central Park.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, nillumbik, eltham - maps -
Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 15.21. Eltham North, 1979_08
... eltham - maps... map] 15.21. Eltham North. Parish of Nillumbik 3310.... Eltham North. MMBW Map in 1:2500 [scale] series. Cream parchment ...Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 15.21. Eltham North. Parish of Nillumbik 3310. Municipalities of Diamond Valley 257 and Eltham 238. Prominent streets include: Progress Road, Glen Park Road and Zig Zag Road. Features include the Diamond Creek, Eltham Council Pound and Eltham North Reserve.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, nillumbik, eltham - maps -
Eltham District Historical Society Inc
Map, Geoff Braithwaite, Braithwaite ma0p of Eltham circa 1920
... A3 photocopy of hand drawn map of Eltham created by Geoff... photocopy of hand drawn map of Eltham with coloured shading... melbourne Map Map Braithwaite ma0p of Eltham circa 1920 Folder ...A3 photocopy of hand drawn map of Eltham created by Geoff Braithwaite (1914-2008) of his memory of the township about 1920. It includes names of streets and property owners. Folder of information on Geoff Braithwaite Includes A3 photocopy of hand drawn map of Eltham with coloured shading of Eltham in 1920s and 1930sharry gilham collection, eltham, 1920, geoff braithwaite, map, smart family cottage, eltham cemetery, flora caroline braithwaite (nee gamble), geoffrey braithwaite -
Eltham District Historical Society Inc
Photograph, Jim Connor, Eltham Cemetery, Mount Pleasant Road, Eltham, 2 Sep 2009
... Guide map, Eltham Cemetery..., Eltham Born digital Guide map, Eltham Cemetery Tomorrow's history ...Guide map, Eltham CemeteryTomorrow's history documented todayeltham, jim connor collection, eltham cemetery -
Eltham District Historical Society Inc
Folder, Bridgeland Park Residents Association et al, Eltham Cemetery proprosed extensions, ca1986
... and summary of the possible extension to the Eltham Cemetery with map.... of the possible extension to the Eltham Cemetery with map. eltham south ...Cover letter and newsletter distributed to residents of Eltham South inviting them to a neighbourhood party at Montsalvat and summary of the possible extension to the Eltham Cemetery with map.5 pageseltham south, montsalvat, eltham cemetery, bridgeland park residents association, banoon road residents association -
Eltham District Historical Society Inc
Newsletter, No. 97 July 1994
... in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New..., Eltham; Filling in the Map • July Meeting • The Shire of Eltham ...Contents: • Next meeting, Main Road, Eltham; Filling in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New Eltham Library • The Warrandyte Mystery Tour May 29th 1994 by Bettina Woodburn • Should we do some forward planning on the past for the future? By Harry Gilham • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Eltham District Historical Society Inc
Newsletter, No. 98 September 1994
... in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New..., Main Road, Eltham; Filling in the Map • July Meeting ...Contents: • Next meeting, Main Road, Eltham; Filling in the Map • July Meeting • The Shire of Eltham 1871-1994? • The New Eltham Library • The Warrandyte Mystery Tour May 29th 1994 by Bettina Woodburn • Should we do some forward planning on the past for the future? By Harry Gilham • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Eltham District Historical Society Inc
Document - Property Binder, 810 Main Road, Eltham
... Eltham, railway, schools, churches by A Bird. Map of Eltham.... History of early Eltham, railway, schools, churches by A Bird. Map ...Photocopy publication: Eltham Methodist Church One Hundred and Twenty-Five Years 1850-1975, Chris Allan editor. History of early Eltham, railway, schools, churches by A Bird. Map of Eltham with sites of significant buildings. Maps church site. Plan of church. Reminiscences by Edna Bill, Val Gangell, Don Brown. Notes by Ken Eckersall, Peter Gray, Ron Hubery. Newspaper article: Lessons in history, Diamond Valley News, 2 August 2000. Newspaper article: Parents stop teachers, Diamond Valley News, 2 August 2000, State-wide preschool teachers strike and Hurstbridge pre-school.main road, eltham, eltham methodist church, eltham uniting church, josiah holloway, hurstbridge pre-school, kinglake national park, churches -
Eltham District Historical Society Inc
Map (item) - Sales Brochure, Plenty Township Estate and Bryn Teg Hill's Estate, Coghill & Haughton, Melbourne, c.1924
... for further rapid home development along the Eltham Suburban Electric...Eltham District Historical Society Inc 728 Main Rd Eltham ...Plenty Township Estate "The rapid growth of Greensborough and the great traffic development on the main road between Heidelberg and Eltham augurs well for Plenty Township Estate. Already a Store, Post Office and State School have been started, and the activities of the Local Progress Association will help the district forward considerably. Within walking distance of the Montmorency and Greensborough stations." Bryn Teg Hill's Estate "Better known as "The Old Sand Hill, "within walking distance of the Montmorency and Greensborough railways stations." "Some few years back Mrs Thomas subdivided portion of the Sand Hill Paddocks, and the areas sold have been settled and many converted into charming outer suburban garden homes with cultivation and orchard plots. The south-eastern slope gives the land a grand outlook over the Yarra Valley on to the Dandenoings, and the are is very picturesque and homely." "A number of the blocks contain large deposits of valuable building sand, which should prove good speculation in view of the forecast for further rapid home development along the Eltham Suburban Electric Service." Sand Hills Road (Old Eltham Road) Date estimated as c.1924 - Electricification of railway line to Eltham referenced on map occured April 1923 and Mrs Mary Thomas died August 1925. Her home Bryn Teg became part of the Heidelberg Golf Club in 1927.The establishment of Lower Plenty as a suburban growth area supported by easy commuting facilitated by the elctrification of the Eltham railway linebonds road, bridge, bryn teg hill's estate, coghill & haughton, eltham road, heidelberg golf club hotel, houses, lower plenty, lower plenty bridge, lower plenty road, main road, plenty hotel, plenty river, plenty township estate, real estate agent, sales brochure, sand hills road, the old sand hill, sand hill paddocks, woodfull road, old eltham road, bryn teg, mrs m thomas -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... of a man who did so much to put Eltham on the map of art history... of a man who did so much to put Eltham on the map of art history ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... of a man who did so much to put Eltham on the map of art history... of a man who did so much to put Eltham on the map of art history ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Montmorency/Eltham RSL Sub Branch
Map - Framed 1915 Anzac Cove Map, Gallipoli, 1915.ANZAC Cove Map, 1915
A framed map depicting trench lines and the battlefields of the Gallipoli Campaign, 1915, made by the Survey Department Egypt. Depth soundings of landing areas off Anzac Cove.Gallipoli - Anzac Cove World War One Map - 1915world war one, anzac, gallipoli, 1915, anzac cove, map, dardenelles, trench lines, depth soundings, landing areas -
Montmorency/Eltham RSL Sub Branch
Map - Framed 1915 Map of Krithia, Gallipoli, 1915 Map of Krithia, Gallipolli, 1915
A framed topographical map of The Dardenelles produced from captured Turkish maps by the Egyptian Survey Department. The main feature is the Krithia battlefield area in 1915.Krithia Peninsula (The Dardenelles) World War One - 1915 Mapworld war one, 1915, egypt, map, dardenelles, krithia, survey department, turkey, battlefields -
Montmorency/Eltham RSL Sub Branch
Map - Framed 1915 map of Sulva Bay, Gallipoli, 1915 Map of Silva Bay, Gallipoli, 1915
This map was used in the Dardenelles Campaign 1915-1916.Framed map showing the Sulva Bay area of the Gallipoli battlefield in 1915.world war one, middle east, gallipoli, 1915, map, dardenelles, sulva bay, survey department, battlefields, egypt cairo -
Montmorency/Eltham RSL Sub Branch
Medal - Military Kid Medallion, Foxhole Medals, After 2004
This medal was presented to the children of Victorian Wing - Warrant Officer and Non Commissioned Officers Academy Soldier who have served on operational deployments. As these young children endured an operational deployment of a parent who spent many months away from home in a foreign country representing the Australian Army. Following operations include Bougainville, East Timor, Indian Ocean, Solomon Islands, Meddle East Area, Afghanistan and Sinai.Presented by the Government to children whose parents had served overseas Silver medal with pale green, yellow, orange and deeper green ribbon. It has a metal type container with a clear plastic front and also a black carry bag with Military Kid and print of medal on front. The design is based on the Australian Tri Service Logo. More detailed information can be found on Military Kids websiteOn reverse: "For perseverance on the home front during your parents deployment"; map of Australia (haut relief)military kid, military medal, kids medal -
Montmorency/Eltham RSL Sub Branch
Medal - Commemorative Medallion, Issues began 1967
Medallion awarded to surviving members of Australian forces who served on the Gallipoli Peninsula during 25 April 1915 to January 1916. Recipient enlisted 07 June 1915 and was taken on strength of the 4th Australian Light Horse Regiment at ANZAC on 14 October 1915. He arrived at Alxandria on 27 December 1915. Subsequently served in France, and was discharged, in London, 24 January 1920. Returned to Australia, departing United Kingdom 06 May 1921. Cast bronze, approximately 75 mm high and 50mm wide. The obverse depicts Simpson and his donkey carrying a wounded soldier, with '1915' . It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by fern leaves. The name and initials of the recipient is engraved on the reverse. The presentation box in black leatherette is lined with deep red velvet and deep red silk (lid)."W. R' Hawkins" -
Montmorency/Eltham RSL Sub Branch
Map, Baghdad
Prepared and published by the National Imagery and Mapping Agency Copyright 2003 by the United States GovernmentPaper, coloured The map is of Baghdad Iraq city Graphic 1:25,000. WGS 84 Edition 11- NIMA Series K941 Sheet 4 Map information as of 2001map -
Montmorency/Eltham RSL Sub Branch
Cap, Peaked, Royal Australian Signals, 1988
Standard issue peaked cap for 1988.Peaked khaki cloth cap with brown 18mm leather chin strap with two 13mm AMF gilt buttons (crown and map only). Khaki cloth covered peak. Royal Aust. Signals cap badge. Brown leather sweat band. Plastic covered, grey cloth liner with black stamped manufacturer's, etc. details. Australian Government Clothing Factory and logo Size /|\ 56 VIC 1988 (Note - no personal markings) headgear, cap -
Montmorency/Eltham RSL Sub Branch
Map - Burma Railway Map (annotated)
Fold-out sheet of paper showing and describing the details of locations along the railway; part of a numbered series of maps -
Greensborough Historical Society
Newspaper clipping, All roads lead to map of stories, 27/04/2011
Family history of Josiah Holloway, origins of street names in the subdivision of Eltham History of Eltham and origins of street names connected with pioneers of the area.Newsprint, gray scale. Photograph of Keylock's Bridge on Diamond Creek at ElthamDV Leader April27 2011, p23josiah holloway, jack shallard, susanna maria bible, bradbury, henry brougham, handfield, fay harcourt, violet bank, kangaroo ground, bells hillroad, shalbury avenue, beard street, brougham street, main road, eltham -
Greensborough Historical Society
Book, Melbourne University Press, Heidelberg: the land and its people 1838-1900; by Donald P. Garden, 1838-1900
This book covers the early history of Heidelberg, Victoria from its beginnings in 1838 to 1900.There is some reference to the 'annexation' of Greensborough in 1875 and the route of the Heidelberg-Eltham railway line, 1893.Hard cover book. 218 p., ill., maps. Slip cover has a drawing based on an early photograph of the Old England Hotel.Property stamps from Nunawading Public Library (cancelled from their collection)heidelberg, greensborough, donald garden -
Greensborough Historical Society
Map, To-day's Map of Ivanhoe - Heidelberg; including Rosanna, McLeod, Watsonia, Greensborough to Eltham, 1937-1953
... to Eltham. Fold out map in pale blue cover. Cover dimensions ...Map of the suburbs of Ivanhoe, Heidelberg, Rosanna, Macleod, Watsonia, Greensborough and Eltham. Dates to mid 1950s. An Advertiser on this map may be found in the Hurstbridge Advertiser Friday 17 December 1937, page 7: "Lyon Bros, of Eltham garage, suggest in their advertisement on the front page of this issue. that motorists should have their cars checked over by them before Christmas, so that any 5mall defects which might militate against the pleasure of the trip, might be remedied." As does "The Montsalvat Plant Farm" in The Age of Saturday 5 September 1953, page 48.Shows early streets and open space in these areas.Fold out map in pale blue cover. Cover dimensions: 21.5x15cm. Map is surrounded by advertising for local businesses.ivanhoe, maps, heidelberg, rosanna, macleod, watsonia, greensborough, eltham -
Greensborough Historical Society
Book, Diamond Valley Sketchbook, 1973_
Diamond Valley Sketchbook, written by Brian McKinlay with drawings by Graham Hawley. Cover the area surrounding the Diamond Valley from Heidelberg to Mernda.A sketch book featuring landmarks around the Diamond Valley area in 1973. Many of these no longer exist.A 63 page hard back book with a map of the area covered by the book printed in blue in the inner covers. Three copies have a dust jacket printed in blue with title details, whilst the actual book cover lacks any detail. 4 copies.Some pencil markings in the inside cover.diamond valley, griffin house, rosehill, austin hospital, banyule house, trestle bridge eltham, shillinglaw cottage, montsalvat, old england hotel, eltham primary school, sweeney's cottage, pound bend tunnel, weller's pub, the eltham barrel, hassall's gallery, st katherine's chapel, yan yean reservoir, mernda hotel -
Greensborough Historical Society
Book, Diamond Valley Sketchbook, 1973_
Contains drawings by Graham Hawley and text by Brian McKinley. Shows landmarks around the Diamond Valley.63p., illus., map as endpapers, dustcover."Happy birthday Kathryn May 1976"diamond valley, eltham, greensborough -
Greensborough Historical Society
Map, George W. Bell, Eltham Warrandyte and environs: a visitor's guide map: centenary souvenir. 2nd ed, 1994c
... Plenty Lower Plenty melbourne Map Eltham Warrandyte and environs ...Tourist guide to historic and other features in the Eltham Warrandyte area and environs, A2, black & white, folded 3 times to A5, printed on one sidewarrandyte, eltham, st helena, montmorency -
Greensborough Historical Society
Leaflet, Nillumbik Tourist Association, Where to stay in Nillumbik, 17/10/2015
Lists 10 major tourist accommodations in: Bundoora, Diamond Creek, Eltham, Hurstbridge, Kangaroo Ground, Panton Hill, Research, St AndrewsColour, printed both sides, map of area, A4 folded twicenillumbik -
Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 13.19. Lower Plenty, Montmorency, Yallambie, 1979_02
Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 13-19. Lower Plenty, Montmorency, Yallambie. Parishes of Keelbundora 2856 and Nillumbik 3310. Municipalities of Heidelberg 228, Diamond Valley 257 and Eltham 238. Prominent streets include: Elder Street, Para Road, and Main Road Lower Plenty. Includes Watsonia Army Barracks.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, montmorency - maps, yallambie - maps, lower plenty - maps -
Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 13.20. Greensborough, Montmorency and Watsonia, 1979_03
Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 13-20. Greensborough, Montmorency and Watsonia. Parishes of Nillumbik 3310 and Keelbundora 2856. Municipalities of Eltham 238 and Diamond Valley 257. Prominent streets include: Nell Street, Nepean Street and Alexandra Street. Includes Montmorency High School.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, greensborough - maps, montmorency - maps, watsonia - maps -
Greensborough Historical Society
Map, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 17.26. Hurstbridge, 1978_01
Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 17-26. Hurstbridge. Municipalities of Diamond Valley 257 and Eltham 238. Prominent streets include: Flat Rock Road and Heather Avenue. Includes Hurstbridge Railway Station.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, hurstbridge - maps